Tuesday, July 19, 2011

Props

TO all of you props collectors out there, I have discovered a WONDERFUL resource. Craigslist free stuff. You'd be AMAZED at the things people are throwing away.
However, what's the limit? As a theater person, I can definitely be a pack rat. You never know when you may need something, and with tight budgets, hoarding can be VERY effective!

What kinds of hoarding habits do you all have? What kind do your theater companies have? Interested in your answers....

xoxo
S.

Monday, July 18, 2011

Helloooooooo

Hellooooo out there! Where has everyone been?
Hopefully, SUPER bust theatrically! I'd love to hear what you've all been up to!
xo
S.

Wednesday, July 6, 2011

Productions Your Way, My Way, or not at all?

There's been much debate in the SF Bay Area and wider theatre arts community about a production of Little Shop of Horrors, created site-specifically by the Boxcar Theatre, that was recently closed by MTI due to contract violations. I wanted to offer a summary of the situation here. I should note that I considered seeing this production and now of course wish that I had...

Theatre Bay Area: "The Big Story around a Little Shop" by my friend/colleague Dale Albright

Arts Journal: "In Whose Hands does Meaning Live?" by my friend/colleague Clay Lord

TCG: "Copyright or Wrong?" by Nick Olivero

For myself, I'm still thinking about how I would interpret this. I feel like I would have to err on the side of the licensee/rights/MTI - making sure to be mindful of how the script is intended to be presented. If I wanted to be more dynamic or drastic, I would choose a different show. This is all open to debate, and clearly generates many opinions.

Monday, June 27, 2011

Meditation on Being the New Kid

Hi there!

For those of you who check in with this blog on a frequent basis, you may recognize Slant of Light Theater Company, you may be familiar with our posts and you may even remember how our AD signs off each post with (-Stacy!)

Well, I'm not Stacy. If you stop reading now...I'll understand.

I've never been great a first impressions. Let's start over. Okay, my name is Vinny, I'm the new Intern for Slant of Light and for the past month or so I've sat faithfully across the table from Stacy and performed various tasks from updating and maintaining our website, to canvassing for the company in the Milford Green to writing proposals for a new wing of the company. It has been an eventful few weeks.

I graduated a mere month ago from college in Boston where I studied Theater and if someone had told me I'd be doing marketing and researching low-cost homes for this company, I would have said "I don't know how to do any of that!" I've been told it's normal for someone at this juncture in life to be confused and frustrated, unable to say which direction they're going in. I've been working in theater for my whole life, assured that this art form would support and fulfill me. So far...well...ask me in a few years.

So here I am, a cup of coffee next to me, the radio playing in the background, in a pretty typical cafe in a pretty typical suburban Connecticut city. Am I an artist yet?

The train station is steps away...I could easily hop on that train and be in New York in the better side of 90 minutes and have all I could handle in the ways of entertainment and artistic fulfillment. But I sit here. How come?

At this point in my life I've written more cover letters than I'd care to admit, I've applied for jobs that I knew I had no business applying to and in turn hoped would never actually contact me, I've spent hours sitting on the couch, too confused to make a decision about really anything. But what do I actually know? As it turns out, I don't know much. What I do know is that I still have a great deal to learn. As the forlorn Dentist, Ben Stark, in Clifford Odet's "Rocket to the Moon" says, "What I don't know would fill a book." I've got the reams of blank paper, let's start writing.

Interning is not glorious. It is not the dream job everybody wants the minute they step off stage with that degree in hand. This isn't news to anyone. What interning is, however, is honest to God work. In a few short weeks I've learned more about working in a non-profit, about how to connect to your client base on every level, about how to deal with difficult situations with equally difficult people. 4 years in college were not a waste, but they certainly weren't a substitute for this.

So I'll sit on my side of the table, putting in the unpaid hours, getting little in return. Merce Cunningham famously said of dancing,

"You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that single fleeting moment when you feel alive."

I think the same can be said about theater. At the end of the day, I don't have something physical to take in my hand and feel proud for having created. My work is ephemeral and fleeting, it is supportive and important, but it lasts only a short while and then goes. But it's what I have to do, and it's all I know how to do. So at the end of the day, it really isn't work at all, it's too satisfying to be work.

So I'm here, ready to learn. Let's fill up that book.
Vinny

Wednesday, June 1, 2011

Walking back to the Spotlight

I spent most of the month of May on intensive wilderness retreats, one focused on wilderness living and survival, the other on contemplative Buddhist meditation practice.

Of course, both were light years away from the theatre world.

Now I am settling back into my regular arts-centric Bay Area life and noticing with interest how the sensation feels very different. It doesn’t exactly feel like a chore to go back to theatre work and theatre going, but it does feel like a sharp turn. I didn’t exactly feel this effect when going in to the retreat mode.

I’d be curious if this process affects others who may go away from the industry for a while. It’s almost indescribable, I’m sure the moment will pass, but at present it feels like it (going back into my theatre life) has a very tangible physical effort. I see how I and others get wrapped up in the routine and certain ways of life, and returning to those same processes after time away makes it take on differing qualities than before.

I’ll have to check in to this felt sense next week and see what it feels like then.

Saturday, May 21, 2011

Performances!

Anyone in the New Jersey or CT area, we have TWO performances tomorrow! Kevin Mullins' play in the World's Steampunk Festival in New Jersey, and M&Ms in Heaven at Studio W in Hamden, CT.

Any travelers out there?

:)

Thursday, May 19, 2011

Personal/Pleasure

I want to hear everyone's thoughts on mixing business with pleasure. How close do you all get to your theater fellows? Who is in a position of management/authority?

As someone who spends 95% of her time working on the theater, it doesn't leave much time for outside associations or dating. And I watch my staff and various casts and production teams get oh-so-close as theater groups do, and I wonder how much is appropriate for me to indulge in. Out for drinks occasionally? Developing close friendships? Can I *gasp* DATE someone who works for me?

What kind of boundaries do you all keep/have witnessed, and what do you think works the best?